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Vision and Art: The Biology of Seeing by Margaret Livingstone

Vision and Art: The Biology of Seeing Margaret Livingstone ebook
Format: pdf
Page: 208
ISBN: 9780810995543
Publisher: Abrams, Harry N., Inc.

Explains the physiology of the eye and visual processing, and hypothesizes that great artists were unconsciously using those phenomena in their art. Kisu - there is another one you may find interesting: "Vision and Art: The Biology of Seeing". Vision and Art: The Biology of Seeing by Margaret S. Livingstone took a hard look at the specific science that underlies art. Another book I've managed to get is “Vision and Art-The Biology of Seeing” by Margaret Livingstone which is similar to “Eye and Brain” but may offer a different perspective. Vision and Art: The Biology of Seeing book download Download Vision and Art: The Biology of Seeing What is it that makes the work of Monet, van Gogh, da Vinci, and Warhol so visually arresting? In 'Vision and Art: The Biology of Seeing' (Livingstone, 2008), the author demonstrated how we see art depends ultimately on the cells in our eyes and our brains. Livingstone, Margaret S., Vision and Art: The Biology of Seeing, Harry N. Now in paperback, this groundbreaking study by Harvard neurobiologist Margaret Livingstone explores the inner workings of vision, demonstrating that how we see art depends ultimately on the cells in our eyes and our brains. (You might get deep value from Dr. Margaret Livingstone's "Vision and Art: The Biology of Seeing" is another exceptionally readable book on light, color, and why and how we see the way we do, and what its implications are for art and artists. In her 2002 landmark book Vision and Art: The Biology of Seeing, Harvard Medical School neurobiology professor Margaret S. Vision and Art ,The Biology of Seeing 读书笔记(1). I've started reading Margaret Livingstone's book, "Vision and Art: the biology of seeing". Margaret Livingstone is a neurobiologist at Harvard Medical School. Livingstone This argument – and its applicability to how we make and see art – rests on a critical distinction between our two overlapping systems of vision. Freeman and Company, New York, 1982. This is not light reading, but is very illuminating. The authors start with optical theory, then into the biological basis for human vision. Margaret Livingstone's research on how human vision systems work with art (and, implicitly, design).